Orange Wine–Part 2

Gravner Anfora 2005

In my last post, I highlighted my personal discovery of Orange Wine, and promised to report back on the experience of my tasting group in trying a bottle of bottle of 2005 Gravner Breg Anfora.

After our normal blind tasting of six varietals, Gamay Cru, which only one person successfully identified, I pulled out the Gravner and we each tasted a sample. This wine was 18% Chardonnay, 22% Pinot Grigio, 15% Riesling Italico, 45% Sauvignon.

Nobody in the tasting group had heard of Orange Wine, so this was a fun experience. The group is pretty accomplished and includes several wine makers and a wine distributor.  As one winemaker said, while looking at the glass of wine, “If I made this, it would be considered a mistake.”

The color was a light tangerine, and very bright and clear. For me, the taste was similar to a very full bodied and complex white wine, with a very long and somewhat salty finish. There were a lot of earth and dried fruits.  I could easily Imagine being on the Atlantic coast with a strong sea-wind blowing. In reading other tasting notes, it is recommended to let this wine breath and also serve close to room temperature, neither step we took and would do so in the future.

Everyone enjoyed the wine and it was the highlight of the tasting. When we started talking about paring with food, the favorite recommendation was a toasted blue cheese sandwich with a slice of provolone and arugula. We all wished the wine were more affordable for we would be drinking it often.

Here is a drawing of tasting notes from Hawk Wakawaka Wine Reviews:

Copyright 2012 all rights reserved, WakawakaWineReviews.com

 

Orange Wine

  • Nostrana Restaurant

  • 1401 SE Morrison Portland, Oregon

 

Waitsburg Times Story on Killer Cuvee

Death On The Vine

Waitsburg Is Secondary Location For New Wine Country Crime Novel
By Imbert Matthee
The Times

<br /><br /><br /><br />
Steve Wells spent time in Waitsburg to create the most realistic picture for readers in his new book, &ldquo;Killer Cuvee.&rdquo; He will be signing books in Walla Walla Nov. 7 and Nov. 9.<br /><br /><br /><br />
Steve Wells graphic

Steve Wells spent time in Waitsburg to create the most realistic picture for readers in his new book, “Killer Cuvee.” He will be signing books in Walla Walla Nov. 7 and Nov. 9. Steve Wells graphic SEATTLE – Normally, it would be the kind of no­toriety a small town wants to avoid: A murderer rents a home on a quiet leafy street as his base of operation to knock off a former lover and pin the blame on her ex- husband.

But that’s only if the story were true. In the case of “Killer Cuvee,” a new book by Steven Wells, it’s harm­less fiction and Waitsburg is merely an edge-of-the-wine country backdrop to a larger plot that unfolds thrillingly in Walla Walla, Seattle and London.

Wells, who lives in Se­attle, will be in Walla Walla for two book signings. The first is on Wednesday, Nov. 7, from 5 – 7 p.m. at Wild Walla Walla Wine Women, 19 North Second Ave. The second is on Friday, Nov. 9, from 11 a.m. to 2 p.m. at Book & Game Co., 38 East Main.

“Jim Oakes was halfway through the 18-hour drive from Phoenix to Waitsburg when his hands began to shake on the steering wheel.”

Thus begins chapter three of “Killer Cuvee,” which pur­ports to be “a powerful blend of 35 percent murder, 35 per­cent romance and 30 percent winemaking.” The reader learns Oakes is a Special Forces veteran who served in Afghanistan and displays post traumatic stress disorder symptoms. He also shows symptoms of vengeance against a former lover whom he plans to poison by stealing into her ex-husband’s wine operation in Walla Walla.

As a backdrop to the larger murder mystery, Waitsburg is not defined in great detail. It’s a convenient close-in venue for Oakes’ scheme, a place to hang his hat and visit a local which is described in just enough detail for local read­ers to take a wild guess.

“It’s a relaxed and idyllic little town that serves as a secondary location,” Wells said in an interview. Wells spent a day in Waitsburg to get impressions for the book. The town is mentioned in three of the 49 chapters. The model for the fictitious rental house Wells chose for the antagonist’s temporary home isn’t far from the “ac­tion” downtown, though the dwelling could be just about anywhere in town.

“He needed to walk only two blocks to reach Main Street and then two blocks more to find the center of town, where there were a number of bars and restau­rants on either side of the street,” Wells wrote about his character’s search for a wa­tering hole. “He picked the one with the liveliest crowd and walked inside. He im­mediately saw the two things he was looking for: a long bar with several tap handles used for pouring beers from a variety of craft brewers at one end, and two attractive women sitting alone at the other.”

Any guess yet?

The story returns to Waits­burg towards the end of the book, when Eric Savage, the protagonist winemaker, arrives at Oakes’ rental to help the Walla Walla County Sheriff and FBI search the suspect’s place for incrimi­nating evidence.

“There is a lot in this novel to enjoy – murder, midlife changes, a side trip to Lon­don,” according to a review by reader Steven Winnard on Amazon.com. “What’s not to love? For me the best part was the glimpse into winery life. Fun reading with or without a glass in your hand.”

Drawing on his own ex­perience as a Microsoft soft­ware engineer and on stints as a wine production assistant while studying viticulture, Wells describes Savage as an artisanal vintner who leaves his corporate career in Seattle behind for Walla Walla only to find his “agreeable” new life upended by a mysterious murder and the accusation he himself is guilty of the crime.

After eluding police, Sav­age flies to London and the scene of the crime in a calcu­lated attempt to find the real killer. There, he encounters a determined and attractive FBI agent who has her own reasons for investigating the murder.

It is evident from the de­tails about Savage’s trade that Wells incorporated lots of material from his time at the wine production program at Seattle Community Col­lege and internships with two Walla Walla winemakers.

He began working on his novel a year and a half ago when he decided that cap­turing the art and science of winemaking in fiction was preferable to a long-term career in the field.

“I thought ‘why not write about it,’” he said. “I was concerned that mystery read­ers might be turned off by the winemaking parts of the book (and vice versa). But the feedback has been good.”

Wells left Microsoft and the drudgery of penning cor­porate reports in the late 1990s. Among other post- corporate activities, he went through a creative non-fiction writing program at the Uni­versity of Washington to re­kindle his passion for writing.

He self-published his first book, “Ginger’s Story: A Golden Retriever Reflects Upon Her Life With Hu­mans,” which sold hundreds of copies without any mar­keting. He did the same with “Killer Cuvee,” his first full- blown novel which he hopes to follow with two sequels for a trilogy. He’s not sure if Waitsburg will return in “Harvest Homicide,” book number two, or the yet-to- be-named third in the series. For more details, visit: www.thewinemakerseries.com

Copywrite © The Waitsburg Times

Wines of Texas

Texas Wine at Central Market.

On a recent trip to Dallas to visit my 94 year old mother, I wondered through a grocery store named Central Market. In case you haven’t seen one, consider Whole Foods on steroids.  From the Central Market website:

H-E-B opened the first Central Market in Austin in 1994. It was quickly dubbed “an amusement park for food lovers.” The European-style fresh market concept amazed shoppers and chefs alike, and the store quickly became one of Austin’s most popular tourist destinations. In fact, it boasts an average of 2 million visitors each year!

As I strolled through the large and enticing store, I arrived at the wine department and admired both its size and a broad variety of imported wines. After perusing many isles of French, Italian, and Californian wines, I came across, in the back of the department, a five shelf display of Texan wines. Observing me, a friendly wine clerk promptly walked over and asked if he could be of help. I replied that I’d never seen Texan wines and was impressed that there was a separate section. He looked at me warily and said, “They aren’t that great.”

When I returned home, I decided to do a little research into where wines are made in Texas and the size of the market. From Appellation America’s website in 2009:

Texas boasts 177 wineries, up from 40 less than a decade ago, a whopping 300 percent increase. Like the size of Texas, wine’s economic impact in the state is huge, at $1.35 billion, making Texas number five in U.S. wine production from 3,100 vineyard acres in eight American Viticultural Areas (AVAs).

One interesting study pointed out, in a single survey, that Texans prefer California wines 48.2% of the time,  Texan wines 15.5% of the time, Australia 8.2%, then Italy and France.  Almost all Texan wines are consumed in Texas; there is little left to ship out the state (1).

Texans like receiving direct shipments of wine. In the latest Direct-to-Consumer Shipping Report 2012, California represents the top state in the country with 32.1% of direct shipments at an average price of $37.78 per bottle. But not to be totally outdone, Texas ranks number two, with 9.3% of direct to consumer shipments averaging $40.78 per bottle. Texans clearly like  wine.

Map of Texas viticultural areas.

Of the eight viticultural areas in Texas, two seemed interesting. The Texas Hill Country AVA is conveniently located next to the population centers of Austin and San Antonio. The area features a number of wineries, restaurants, festivals, and B&Bs. Fundraisers have recently announced a commitment to build the Texas Center for Wine and Culinary Arts in the heart of Fredericksburg, self proclaimed to be the second fastest growing wine travel destination in the U.S., behind Napa, California. This 30,000 sq. ft. facility, dependent on future fundraising, is planned to open in 2014.

Many grape hybrids grow in the Texas Hill Country AVA along with traditional Vitis vinifera. One of the biggest problems faced by vineyards here is Pierce’s disease, which is native to the area. This disease, transmitted to plants by the glassy-winged sharpshooter, affects grapes by preventing water from being drawn through the xylem tissue of the vine into the leaves, which  turn yellow, then brown, and finally drop off.  There is currently work underway at U.C. Davis to breed PD resistant Vitis vinifera grape vines.  Texas A & M, with funding from U.C. Davis, is one of the leading research institutions for this disease.

Because of it’s hot and dry climate, this AVA is not well suited for popular varieties like Cabernet, Chardonnay, and Merlot, as it is for Spanish, Italian, and Southern French grapes like Syrah, Tempranillo, Sangiovese, and Vermentino.  Frost is also a problem and most growers prune late to delay budding.

The Texas High Plains AVA, north and west of Lubbock in the panhandle region of the state seems to have a better climate for growing grapes. The altitude of this area is above 3,000 feet, likened to the Mendoza in Argentina. This AVA is home to over 4,000 acres of wine grape vineyards and the soils there are mostly sandy clay loam in character. Popular grapes grown include Cabernet Sauvignon, Cabernet Franc, Chenin Blanc, Gewurztraminer, Grenache, Merlot, Malbec, Pinot Noir, Chardonnay, Riesling, Orange Muscat as well as newcomers like; Dolcetto, Montepulciano, Primitivo, Sangiovese, Tempranillo and Viognier.

During 2010, the top ten grape varieties produced were (2):

  • Cabernet Sauvignon 14.4%
  • Merlot, 8.6%
  • Chenin Blanc, 11.5%
  • Chardonnay, 10.5%
  • Muscat Canelli, 6.8%
  • Tempranillo, 4.9%
  • Shiraz / Syrah, 4.8%
  • Zinfandel, 4.0%
  • Viognier, 3.9%
  • Sauvignon Blanc, 2.6%

The TTB requires 75% of a bottle’s fruit to be from a Texan AVA to receive a related label designation. Since many wineries in Texas import juice or grapes from outside the state, some wines are labeled as an “American” appellation.

Wine meets BBQ.

One of the more humorous articles I came across chronicled the challenge of pairing Texan wines with typical food, specifically the Deep Fried Food Finalists at the 2012 State Fair of Texas.  Among the food finalists were

  • Chicken-Fried Cactus Bites
  • Deep Fried Divine Chocolate Tres Leches Cake
  • Deep Fried Jambalaya
  • Deep Fried Mac-N-Cheese Slider
  • Fried Bacon Cinnamon Roll
  • Fried Mexican Fire Crackers
  • Picnic on a Stick
  • Fried Pork Wing

A Texas wine blog fulfilled the challenge and appropriate wine picks for these unusual foods can be found here: Food Pairing in Texas. I personally find it hard to imagine what wines I’d pair with any of these dishes, never having sampled either the wines or the foods, but I think I’d start with a Shiner Boch.

As I wrapped up my research, I couldn’t help but admire the commitment of Texans everywhere to forge their own path toward winemaking and viticultural excellence, despite some serious challenges. I’m sure a proud Texan would tell me that’s just they way they like it.

A transplanted winemaker from California’s Santa Cruz Mountains shed light on that thought when he said, “Sharendale [his wife] often mused that she wanted me to take her somewhere that was flat, without trees. Maybe I took her a bit too literally, but when the opportunity came to make wine in Lubbock, it seemed to fit all of our needs (3).”

References:

(1) http://www.depts.ttu.edu/hs/texaswine/docs/CONSUMER_ATTITUDES_TO_TEXAS.pdf

(2) http://www.depts.ttu.edu/hs/texaswine/docs/2010_Texas_Grape_Production_and_Variety_Survey.pdf

(3) http://lubbockonline.com/life-columnists/2012-10-16/texas-wineslinger-winemaker-leaves-california-make-wine-lubbocks-llano

 

 

 

 

A Brief History of Schramsberg

For this post I decided to dust off an old paper from one of my wine history classes. I’ve long admired the Schramsberg family of sparking wines as well as their J. Davies table wines. Recently I read that J. Davies was moving their production facility into an old car dealership, Epps Chevrolet, in St. Helena.  From a recent press relelase:

For the 2012 vintage, it is expected that the winery will process 155 tons of fruit. 85 tons will be J. Davies Estate Diamond Mountain District Cabernet Sauvignon, 45 tons will be Davies Vineyards vineyard-designated Pinot Noirs, and 25 tons will be the first-ever Davies Vineyards vineyard-designated Napa Valley Cabernet Sauvignons.

Over time, I’m sure that vast areas of pavement, normally used to hold car inventory, will  flourish with a more stylish design reminisicent of the iconic caves and house of the Schramsberg estate located in the charming hills above Calistoga. For now, feature and function are the first order of business.

 A Brief History of Schramsberg Vineyards

On a cool spring day in April, 1972 Jack Davies, owner of Schramsberg Vineyards, received the now historic phone call.  Jack personally answered the ringing phone while at work in the cellar.  The caller identified himself as a member of the State Department and expressed interest in purchasing 15 cases of 1969 Blanc de Blancs, one of the first vintages produced by Jack since purchasing the winery back in 1965.  At that time Jack was producing close to 3,000 cases annually and any sale was an important sale.  He didn’t fully anticipate the importance of this sale.

Jack Davies was a graduate of Stanford University with a Master’s In Business Administration from Harvard.  He enjoyed a successful career in management before deciding with his wife to move to Napa from Los Angeles in pursuit of a simpler and more meaningful lifestyle.  Some early experience working in an orchid nursery and his love of wine led them to consider winemaking.  After a yearlong search, Jack and his wife Jamie discovered the rundown and overgrown Schramsberg property.  With an antique and dilapidated Victorian style mansion sitting among overgrown vineyards and a garden, they started dreaming of bringing the property back to life, a passion which drove them the rest of their lives together.

Schramsberg historic house.

The original property was developed by Jacob Schram, an immigrant from Pheddersheim, Germany.  Jacob had grown up near the Rhine River and came from a winemaking family.  Immigrating to New York in 1826, he became a barber to earn a living.  In 1852, Jacob traveled to the west coast by ship through the Panama Canal and arrived in San Francisco.  He eventually settled in Napa Valley and continued his trade in Saratoga where he fell in love with his future wife.  In 1859, he married Annie Christine Weaver, also from Germany, and started a family.  Still barbering to raise money, Jacob bought the large piece of land in the mountainsides of the Napa Valley and Schramsberg was born.

Schram family at cave entrance in the 1800s.

An interesting passage is found in the memoir written by Robert Louis Stevenson titled Silverado Squatters published in 1883. [1]  In this wild spot, I did not feel the sacredness of ancient cultivation.  It was no Marathon, and no Johannesburg; yet the stirring sunlight, and the growing vines, and vats and bottles in the cavern, made a pleasant music for the mind.  Here, also, earth’s cream was being skimmed and garnered; and the London customers can taste, such as it is, the tang of the earth in this green valley.”

Jacob planted Riesling, Hock, Burgundy and Chasselas [2] grapes.  He hired Chinese workers, previously used on the transcontinental railroad to dig his cool underground cellars.  By 1876 his production had reached 12,000 cases per year and he was shipping to New York and Europe, mostly England, winning awards at American and International competitions.  As the wine business prospered, Jacob hired a shipbuilder to build the lavish Victorian mansion.  Consistent with shipbuilding techniques, small pegs instead of nails were used in its construction, details which are preserved in the recently restored mansion.  Jacob died in 1905 at which time his son, Herman, took over management of the property.  Unfortunately the phylloxera epidemic and Prohibition brought an end to the Schramsberg era.

Before Jack Davies discovered and purchased the run down property in 1965 it traded hands through a number of investors who used it as a vacation destination or speculative investment.  It never regained its glory until Jack and Jamie came along.  In a recent article Jack’s wife Jamie described the property as “Windows were broken, plaster was falling off the walls and bats flew out of the attic, which she swatted with a tennis racket.  It was insane!” [3]

As they considered the future of the winery they decided to dedicate their efforts to producing a prestigious, select, and admired sparkling wine.  They realized this meant educating a new generation of American consumers about sparkling wine produced by the traditional process of Methode Champenoise.  Such legendary wines were typically made only in France.  They began replanting the vineyards and producing some of their first vintages using grapes purchased from the cooler Carneros region.  The 1965 Blanc de Blancs was a product of the first commercial use of chardonnay in an American sparkling wine. The 1967 Blanc de Noirs used the pinot noir grape and was followed by the Reserve, with over four years of aging which quickly became recognized as the finest sparkling wine made in the United States.

Waiting for riddling.

As Jack continued the phone call with the man from the State Department he was asked to deliver the 15 cases of Blanc de Blancs to Travis air base in Fairfield near Sacramento.  A passing reference was made to the White House but no additional details were provided.  Jack personally delivered the wine to the base in his pickup truck and was instructed to drive across the tarmac to the parked Boeing 707.  It was not a normal Air Force jet but had the markings of Air Force One.  While loading the wine into the cargo hold Jack noticed a podium with the presidential seal inside.  As he finished loading, he asked his escort how he would be paid.  The gentleman simply handed him a business card with the White House seal printed on it and told him to call the number listed there.

Jack didn’t give the whole episode much more thought after returning home.  Several weeks passed until one morning a local winemaker called and suggested that he turn on the television and watch the Today Show with Barbara Walters right away.  He did so and there was Barbara holding up a bottle of the Schramsberg Blanc de Blancs explaining how this bottle of champagne from a little unknown California winery was at that moment being served at the historic Peace Talks in Beijing between President Nixon and Premier Chou En-Lai on April 28th, 1972.  This epochal event generated unprecedented publicity for Jack and his winery.  It marked the first time that Schramsberg or any American wine was served at any White House or State event at home or abroad.  Since then Schramsberg wines have been served by every subsequent presidential administration.

Other key milestones:

1967 - First production of vintage dated Blanc de Noirs from Pinot Noir grapes in the United States.

1968 - First production of brut rose’ in the United States.  Napa Valley Agricultural Preserve established by Jack.

1980 – Schramsberg Reserve is introduced making the first vintage dated U.S. sparkling wine aged on yeast for four years before disgorging.

1985 - First use of barrel fermentation in production of Schramsberg sparkling wines.

1994 - Diamond Mountain property is ripped out and replanted with Bordeaux varieties.  Cool region grapes are sourced from Marin, Monterey, and Sonoma counties and Anderson Valley.

Today Schramsberg produces over 60,000 cases of wine and ships them to over 25 countries with Europe and Asia as their best markets.  Visitors to their tasting room can view photos of many of the White House dinners featuring Schramsberg wine and various heads of state.

1 Robert Louis Stevenson, The Silverado Squatters, printed for the Silverado Museum, Ashland Oregon 1974, originally published in 1883, pp26-27.

2 Chasselas is a wine grape variety grown in Switzerland, France, Germany, Portugal and New Zealand.  Chasselas is mostly vinified to be a full, dry and fruity white wine. It is also suitable as a table grape, grown widely for this purpose in Turkey. In France it is mostly grown in the Loire region where it is converted into a blend with Sauvignon Blanc called “Pouilly-sur-Loire”

3 Linda Murphy, San Francisco Chronicle, December 22, 2005.

 

 

Scenes around Walla Walla

As I researched Walla Walla as a location for Killer Cuvée, I drew upon earlier trips made there while involved with the Seattle Shakespeare Company. At the time, we were providing our cast members for outdoor summer performances at Fort Walla Walla. In August 2010 we featured a performance of Much Ado About Nothing. Today, Shakespeare’s plays, along with other entertainment, are provided by the Power House Theatre in their recently renovated home.

As my outline progressed, and I envisioned specific locations for action in the book, I made dedicated trips to walk around and photograph interesting places.

A lovely house near the Whitman campus which I easily imagined Eric, Max, and Ginger calling home.

 

Whitehouse-Crawford Restaurant in Walla Walla. Great food in a welcoming environment. I imagined Ashley, Katie, and Eric dining there after returning from London on a hot summer evening.

I made several visits to the Whitman Mission to the west of downtown Walla Walla. I found the history of Marcus Whitman’s travels to the region and his missionary work inspiring. The scenery around the mission is beautiful and reflected in the photographs below.

Split-rail fence on the grounds of the Whitman Mission.

Outlines of original buildings on the grounds of the Whitman Mission.

Sweeping view of the grounds of the Whitman Mission.

Butterfield Horses

While writing KIller Cuvée, I included a scene at Whitman college with Eric and his dogs walking past numerous pieces of sculpture and art on campus. One piece, Styx, caught my attention long ago during a visit to the Walla Walla Foundry. Started by Whitman gradudate Mark Anderson, in 1980, the foundry has gained worldwide acclaim for design, casting, and installation of bronze sculptures. They pour over 35 tons of bronze each year.

Deborah Butterfield is an artist who shares time between a ranch in Bozeman, Montana, and a studio in Hawaii. She fashions her horses from pieces of driftwood, sticks, and other pieces of wood to form a skeleton. These original designs are then bronzed in a technique which utilizes a mold and burns away the wood inside. The Walla Walla Foundry has now created over 200 of these unique sculptures, located worldwide.

During a trip to Walla Walla last week, I stopped by the Foundry and received permission to take these photographs. Two Butterfield Horses are on display, one inside and one outside, at the recently opened Foundry Vineyards. Other artwork is also on display there.

I find these sculpted horses inspiring for many reasons.  I spent many years with my daughter on the Appaloosa riding circuit in the Pacific Northwest as she competed in western riding events. The Butterfield horses seem to capture the natural and fluid poses at the horses I witnessed as I watched her compete. Most impressive is the texture and color of the bronze pieces which, without touch, look identical to wood.

Stop by Foundry Vineyards sometime, enjoy a glass of wine, and admire these beautiful horses. More information about Foundry Vineyards can be found here.

Foundry Vineyards exterior.

Butterfield Horse outside in the courtyard at Foundry Vineyards.

Inside Foundry Vineyards. Note the color and texture of the bronze pieces.

Bronze, not wood.

Artist series wines of Foundry Vineyards.

Cloudlift Cellars

Helped my friend Tom Stangeland with crush yesterday.  We pressed about two tons of Chardonnay and de-stemmed roughly the same amount of Merlot. Tom is a small artisanal winemaker and also makes beautifully crafted furniture. Tom and I were classmates in the wine production program at South Seattle Community College. More about Tom and his wines can be found at http://cloudlift.net/.

Bins of Chardonnay await hand sorting and then a trip into the press.

The grapes begin to give up their juice in the press.

Merlot enters the de-stemmer.

Winemaking meets woodworking. Two fermenters of loose Merlot berries and juice wait for inoculation inside the wood shop.

 

 

Winery Design of Killer Cuvée: part two

In my last post, I shared some photos I had taken of different wineries in Walla Walla. I ended up liking RULO winery the best, and it became the image from which I crafted my mind’s-eye view of Eric Savage’s new winery.

There are several scenes in the book occuring at the winery. In one, Eric arrives back to work after his unexpected trip out of the country. He’s happy to be home. Then later that same day, he gives his new romantic interest a quick tour.

Go to the following .pdf file to read the appropriate sections.

Winery Excerpt